Society for the Promotion of Culture and Art

SPOCA Bangladesh

Greetings from FPAC

Dear colleagues and dear students, On behalf of the FPAC, I am sending the very best greetings and wishes for a happy new year! Enclosed here 3 essays for suggestions and passing on.

3 Essays Booklet by Norbert Pintsch on Scribd

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posted by S A J Shirazi @ 11:41 AM, ,

About the Think Tank Project

by Norbert Pintsch IPC, FPAC

TTP / FBTC and FPAC are networked with SPARC-SPAET-SPATH-SPOCA-SEMOL-SUTOL

After sketching the topic HOUSING in three publications (Housing, Population and Housing, Systems and Housing), TTP is now entering a new phase.

Although the topic of communication and information has been treated in various essays over the years, experience has also been gained with contemporary techniques, but now the problems arising from the cultural model and its inter-dependencies, as well as system considerations on general housing meed to be discussed.

There are misunderstandings from small groups to large groups, and it is more than a miracle that an exchange is possible at all.

It is not only the basic communication, which is a problem.

If one were to orient oneself towards Wittgenstein (which one is not supposed to talk about, one has to be silent about it), then hardly any communication and information should be taking place.

In the assumption of better understanding, new terms are invented, which instead of closer definition create still new questions and thus new answers with new terms and for improvement with the same, similar or different concepts or ideas.
Already the analogue exchange of ideas on earth is more than problematic, but when the digital exchange comes into play with additional time or distance factors, then arise the real problems!

Housing in the closed system is the protection, the material protection, - the immateriality that demands the traditional humanity!

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posted by S A J Shirazi @ 3:32 PM, ,

Informal Think Tank

By Norbert Pintsch, IPC, FPAC

The idea of cooperating with others, i.e. to exchange ideas with others and to stimulate each other, this thought is not exactly new!

In the United States of America (USA), company representatives came together and established privately funded socalled Think Tanks!

In the 20th century, this idea was implemented under president Franklin Roosevelt and a new form of advice emerged.

In politics, technological and economic interests are transferred into governance process in a lobby-like manner.

Such examples are presently implemented in many countries for selfish interests and they influence politics, usually with a certain lobby in the background.

The DGFK is an altruistic example of an informal Think Tank in which SUTOL, SEMOL, SPARC, SPATH, SPAET, SPOCA, but also FPAC and FBTC exist; however they operate in a subtle and discreet manner!

An interesting project is the so called Closed System, which outlines possibilities and tendencies, also of an uncomfortable kind, which is characterized by financial independence and the personal refrain from self-projection by the co-thinkers.

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posted by S A J Shirazi @ 5:53 PM, ,

About the end of handicrafts

Prof Dr Norbert Pintsch / SPOCA, IPC

I may clarify right in the beginning: There will not be an end as long as the handicraft worker is an expert in his trade and maintains his cultural roots,- without losing the spirit of time.

At this point I may point to Art Nouveau and as one of its excellent example the Palais Stoclet in Brussels; it only proves: Excellence keeps standing!

For everything else is valid: When mass production predominates and the hope is to find consumers, who are less informed and more inclined to snap up anything offered at a super price, in the hope to be able to call something special as their own, then it is surely the rightful end of this article, which was anyway not real but a pseudo handicraft.

It is not a problem to scan and reproduce a unique article with help of CNC. This may sadden, but it is only a matter of getting used to it, like the 2-D copies.Even an experienced buyer cannot differentiate between the copy and the original piece. Only absolute experts with taste, knowledge and money know to appreciate it!

All others remain silent in the spirit of delusion!

The absolute majority vanishes, in the industrial uniformity and run for trade marks, wish for a seeming regular change through fashion and other such actions.

Insofar, this picture depicts not only the situation of handicrafts but also of everything which can be designed, including body products, clothing, internal and external designing up to the whole spectrum of industrially designed products.

Environmental protection and wastage of resources remain stuck at discussion level only.

Conclusion: There is no reason for sadness. In each period of time, only little remained back of cultural heritage; the meaningless taking the transitory path,- like the falling leaves in autumn, which vanish as dirt in the course of the year.

In the course of a human life, the direct relationship between the creator and the created is important and has its special value,- the economic relationship is an income generating measure and a charade. To see through it is left to the future generations!

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posted by S A J Shirazi @ 2:18 PM, ,

Unique Item vs. Industrial Production

Prof Dr Norbert Pintsch / SPOCA, IPC

As soon as the infrastructure allows it, manufacturing of various items of daily use but also handicrafts are started to be produced through industrial methods.

The argument here is normally: It must be worthwhile to produce the item, this refers to the economic level, which has and must have its short term and short sighted approach to problem resolution. The cultural aspect here is totally ignored, because an evaluation of something neither tangible nor calculable is hardly possible.

This dilemma is clearly visible in the development of share prices. They increase in totality according to general situation, because they represent the industrial production. It does not reflect the destruction of resources and the environmental damage, on which it is based.

As a graphical depiction, the industrial growth can be put in comparison to the loss of resources. Regarding manufacturing of unique pieces and requirement of the customers to purchase something very individual, the comparison would be with the estimated loss of the ability to manufacture the piece of handicraft.

Why should a unique piece be manufactured at a higher cost, if it can be manufactured industrially in a much larger quantity,- so the opinion and expectation of the purchasers.

In the field of the art market, runaways from the artistic scene suggest a demand for the items with unique characteristics. The specialty has a price. Participation in its production creates imitators, so the price continues to slide downward and withy that also the value.

This phenomena is actually not a phenomena but rather a result of the economic oriented approach.
Work places, resources, cultural values are regulated in this way and cause damage in social and political field.

It is remarkable, how little attention is given to the effects and causes. The industrial product with a logo has a higher value as compared to the unique product, especially then, when it is not communicated industrially.

The possibility of marketing unique items and small series is made difficult and obstructed through certification sectors, which in the context of value addition suggest safety, environmental protection and work protection.

Result is, that the unique product gradually falls away from perception for financial reasons through the missing value addition. The special thing is, that the richness of culture of a country gradually disappears.

Innovation and creativity are promoted, but limited due to economic arguments. The connections between climate, environment and culture are lost in the process of globalization. The forgotten and the lost differences however remain.

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posted by S A J Shirazi @ 6:17 PM, ,


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